Free Jazz review by Stef Gissels

CF 267Lotte Anker, Rodrigo Pinheiro, Hernâni Faustino – Birthmark (CF 267)
*****

Here is my rating overview of Lotte Anker albums on this blog :

- Live At The Loft (2009) : ***** – Floating Islands (2009) : ***** – Alien Huddle (2008) : ****

Here is my rating overview of RED trio albums on this blog : – RED Trio + Nate Wooley – Stem (2012) ; ***** – RED Trio + John Butcher – Empire (2011) : ****½ – RED Trio (2010) : ****

That’s a lot of five stars for a few albums. So, when Danish saxophonist Lotte Anker teams up with Portuguese pianist Rodrigo Pinheiro and bassist Hernani Faustino from RED Trio, you can bet that magic is the air. And yes, they deliver the goods. What more can I say, that yes, I am a little bit biased because I had the honor of writing the liner notes, which I reproduce below, which saves me the effort of writing a review. Intensity, lyricism, sensitivity and character guaranteed.

“Intensity, you cannot put your finger on it … though you know it when you hear it. Nervous tension, the creation of anticipation, the quick-turn changes, the effect of being in the moment, all three, at the same time, then adding a flowing continuity, building expectations, building tension, new expectations, new tension. What you hear surprises you, it captivates you, every note, every sound a story by itself. Listen to the slow shimmering tones of Lotte Anker, and the precise and cautious sparse piano notes that Rodrigo Pinheiro adds, accurate, without abundance, just the right few notes that make it work, the dark tones of Hernani Faustino’s bass, one accent here, another foundational color there. What is happening? You wonder … you wonder about the beauty you hear, the worlds that unfold behind your ears the images behind your eyes … enveloped in shimmering light, subtle yet dense, ephemeral yet solid … the space between substance … the nature of contrast. Intensity may be the result of paradoxes, a feeling of alienation combined with the comfort of recognition, the alienation of form with the recognition of emotion, the feeling that these light textures and joint instant lyricism reveal something known, a fleeting familiar feeling, implied but never stated phrases, melodies that evaporate before they become, images out of long-gone memories or images spontaneously arising, you don’t know, it is beauty offered. Intensity is about giving value to each note as part of a broader canvas, created together, with each little note valuable like glittering diamonds in a necklace, with silence acting as emptiness to emphasise the quality of the tone, the shade of the sound, their combined effect. Intense calm, controlled passion. Stretching tones on alto on arco with piano like raindrops piercing through fog. Skittering like bird song, fresh naïve and real, with somehow a menace in the background, something that might disturb, that might alter and it does, the mood changes, but somehow the structure doesn’t, still the skittering bird song, the piano the bass menacing, the bird song in distress. Ongoing surprise, unpredictability, deep experience. Don’t think while listening. Go with the sounds. Let go. Let yourself be surprised. You will be taken to strange places … intense and rich and authentic places”.
http://www.freejazzblog.org/search?updated-max=2013-05-19T06:00:00%2B02:00&max-results=10

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