All About Jazz review by Glenn Astarita

HNH – HNH (CF 205)
Three well-versed progressive jazz musicians from Germany, now calling New York City home, inject a starkness that uncannily transmutes into an upbeat program on HNH, their debut recording. The differentiator here pertains to Thomas Heberer’s use of the quarter-tone trumpet; by working with a horn that cuts a pitch halfway between notes in the chromatic scale, he executes an edgy and gruff overlay, linked with jazz-centric improvisation.

Heberer intersperses traces of Mediterranean folk music along with free-bop, atop the rhythm section’s buoyant grooves, with the band apt to hint at melody to parlay a vibe open to interpretation. With the trio operating occasionally in stealth mode, the trumpeter turns up the heat in spots via gnawing, scratching notes and circular phrasings, soaring and dolling out emotively charged choruses to steer an exploratory soundscape on “Lucretia’s Legacy/Do I Remember Wrong” that borders on restraint.

The musicians’ collective output instills a shadowy glimmer to complement the rather persuasive and intricately developed story lines evidenced throughout HNH.
http://www.allaboutjazz.com/php/article.php?id=38300

About these ads

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s