Daily Archives: October 26, 2011

JazzWrap review by Stephan Moore

Side A – A New Margin (CF 235)
A Ken Vandermark record is always a welcomed addition in the JazzWrap office. And Vandermark’s newest project, Side A is a massive inclusion to the catalog.

The trio formed last year but somehow it feels like they’ve played together for much longer; Vandermark and Wiik have been together in various projects (Vandermark 5, Atomic/School Days, and Free Fall). A New Margin (Clean Feed), the trio’s debut, is a document of their collaborative efforts over the last year.

Side A kicks the proceedings off with the slow moving and haunting “Boxer.” It’s like a mystery ride that never seems to end and you’re constantly turned on to some new element in the piece. Whether it’s the plodding downward keys of Wiik, the sky-rocketing velocity of Vandermark on sax, or Taylor’s free-wheeling movement on the kit–this is a journey that’s going to take many different shapes before its done.

“Arborizaltion” flows peacefully with each member improvising in between the space. It’s not wild movements; more a steady pattern of ideas that all fold together in one harmonic gesture.

When “The Kreuzberg Variations” first came on I was startled by the spacial depth of the piece. It’s a classical movement as the title would suggest but with more owed to the Steve Reich motif than Brandenberg. The piece builds and builds until its boisterous conclusion where musician and sound collide in what is quite a beautiful noise.

“Giacometti” is a blustery but euphoric number that sees the trio bouncing sound off each other. Taylor adds a delicate touch in the beginning, while Vandermark and Wiik create some vivid colour spectrums. This comes to a rousing denouement that nicely bookends the possession filled opening of the “Boxer.”

Side A is yet another in long list of progressive outings from Ken Vandermark and company that challenges the way we think of jazz and how it will expand. A New Margin is by far one Vandermark’s best projects (outside of Vandermark 5) of the last 12 months. Great stuff.
http://jazzwrap.blogspot.com/

Free Jazz review by Stef Gissels

Side A – A New Margin (CF 235)
****
In one of Ken Vandermark’s many projects, he plays in “Free Fall”, a trio format with Norwegian pianist Havard Wiik and Norwegian bassist Ingebrigt Håker-Flaten, as a tribute band to the music of Jimmy Giuffre.

Now we find him again in the company of Wiik, but accompanied by Chicagoan Chad Taylor on drums. Like with Free Fall, this trio is also strongly rooted in jazz tradition, with fixed (?) rhythms, elaborated compositions and harmonic development. The musical skills demonstrated by all three musicians are staggering, both on their instruments as in the phenomenal interplay, yet as so often with great albums, the quality of the music itself is what really counts and it also receives their full attention.

Wiik is a stylist, someone with a gentle touch, and strong sense of lyricism, and his combination with Vandermark’s incredible skills of shifting from patterns to breaking them and back again in one seamless motion work well with Taylor’s rhythmic complexities. Actually, all three excell in the key ingredients : lyricism, powerplay and tradition-pushing.

The tunes range from sweet, as in “Trued Right”, or abstract bluesy, as on “Arborization”, to clever rhythm-shifting in the phantastic and genre-crossing “The Kreuzberg Variations” to powerplay on “Comeling”. There is madness to be heard, yet controlled or contained, and joined with some more universal feelings as melancholy and tenderness. The variation is great, as are the compositions, almost equally divided among the members of the trio.

The line-up is unusual too (check on the “Sax Piano Drums Trio” in the right column to get to know more of them), yet one that works extremely well because it offers harmonic, rhythmic and a wealth of solo opportunities, while keeping the improvisational freedom of a small ensemble.

In any case, great stuff, and not to be missed.
http://freejazz-stef.blogspot.com/