Rodrigo Amado – Wire Quartet (CF 297)
A Rodrigo Amado release is always going to be filled with some excitement. And Wire Quartet is definitely exciting and does not disappoint. A wonderful line up that features members of Red Trio and the increasingly rewarding, Manuel Mota.
Wire Quartet consist of three very extended pieces. “Abandon Yourself” opens the album with slow building introduction where each member moves gently with well place focused notes. The piece moves into its second structure when Amado and Mota both let loose and Faustino and Ferrandini follow making this section of the piece the most chaotic and beautiful. The tone settles in the latter stages as each musician has their own moment to rise above. Great compositional/leadership work here from Amado allowing the members the freedom to craft the passages within the outlying structure.
Blues-like yet still encompassing sense of moving far beyond, “Surrender” has lots of free movements with Mota’s guitar screeching like Branca, Bailey or Thurston Moore rolled into one. Amado’s rolling tones and the some atmospheric brush-work from Ferrandini add a nice shine to the track. While on the closing number, “To The Music,” Amado really let’s loose with some terrific tones and patterns that feel like Ayler or Braxton. Mota’s guitars wails alongside Amado but never overpowers the piece.
Wire Quartet is a rock album with jazz undertones. It loud, fierce and abrasive like any other Amado record. Similar to Amado’s work with Luis Lopes but here we get the added touches of a fantastic quartet that pours even more muscle to Rodrigo Amado’s compositions. Which I didn’t think was possible. And the results are excellent and frankly–bloody brilliant stuff!