Tag Archives: Joana Sa

Gapplegate Classical-Modern review by Grego Edwards

SHH 006Joana Sá – Elogio da Desordem (In Praise of Disorder) (SHH 006)
This columnist has had the pleasure of covering the music of Joana Sá before. Today, another: Elogio da Desordem (In Praise of Disorder) (Shhpuma 006). It is subtitled “Interior monologue for semi-prepared piano, bells, sirens, voices and…”. And that it is. Ms. Sá is a growingly important presence on the Portuguese avant landscape. She makes music that has the momentum and spontaneity of improvised new music, yet there is a composed structural element that continually frames the music and evokes interrelated sound worlds that work together to inscribe a particular poetic state onto the moment.

It is especially true of the suite of movements contained in the present recording. Through use of a piano whose strings have been prepared with various objects within a particular range of notes, through the use of sirens and bells that punctuate the affect of certain passages with the sound of a symbolic sort of alarum, through various amplified noises (“noise boxes”) (which come off as electronics, as that they are), through bowing and other unusual ways of sounding the piano and the appearance of a toy piano and a harmonium at times, through periodic recitation (by Rosinda Costa) of texts by Goncalo M. Tavares, a set of special moods are created, filled with vivid sound color and pianistic avant-virtuosity.

Joana’s music has a flow to it that after hearing a few times seems unique but somehow appropriate. The music has a natural quality that is ultra-modernistic nonetheless. What strikes me in her music, especially here, is the mastery of avant techniques harnessed to a sureness of purpose that brings together aspects of the classical avant and the free-improvisatory schools. All clearly and movingly holds together as compositional.

I am especially impressed with how this music after several hearings continually stimulates the hearer’s imagination with a master sound-painter’s expert touch and larger vision. Nothing sounds random and yet there is continuous sound-invention without much at all in the way of repetition.

In Praise of Disorder has a monumental elocutionary eloquence to it that puts it on rarified turf. Anyone with an interest in the avant garde today should listen closely.
http://classicalmodernmusic.blogspot.pt/2014/03/joana-sa-elogio-da-desordem-in-praise.html

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Best of 2013 Jazz.PT

Melhores de 2013 – Jazz.PT
Aqui estão as escolhas da equipa jazz.pt relativas a mais um ano de música, em disco e ao vivo. São estas as nossas votações finais, bem como as listas individuais dos colaboradores que participaram nesta selecção do melhor que foi acontecendo em 12 meses repletos de bom jazz e boa improvisação. Boas festas e continuem a passar por estas páginas.

Melhores discos internacionais
CF 283WAYNE SHORTER QUARTET: “WITHOUT A NET” (BLUE NOTE)
Charles Lloyd / Jason Moran: “Hagar´s Song” (ECM)
São Paulo Undergound: “Beija Flors Velho e Sujo” (Cuneiform)
Matana Roberts: “Coin Coin: Chapter Two: Missisippi Moonchile” (Constellation)
Pascal Niggenkemper Vision7: “Lucky Prime” (Clean Feed)
Wadada Leo Smith & TUMO: “Occupy the World” (TUM)
CF 278Joe McPhee: “Sonic Elements” (Clean Feed)
Tim Berne’s Snakeoil: “Shadow Man” (ECM)
Nate Wooley: “Seven Storey Mountain III and IV” (Text)
Trespass Trio & Joe McPhee: “Human Encore” (Clean Feed)
Lotte Anker / Rodrigo Pinheiro / Hernâni Faustino: “Birthmark” (Clean Feed)

Melhores discos nacionais
CF 281RED TRIO: “REBENTO” (NOBUSINESS)
Rodrigo Amado Motion Trio & Jeb Bishop: “The Flame Alphabet” (Not Two)
Susana Santos Silva / Torbjörn Zetterberg: “Almost Tomorrow” (Clean Feed)
Luís Lopes Humanization 4tet: “Live in Madison” (Ayler Records)
CF 275Lama & Chris Speed: “Lamaçal” (Clean Feed)
Timespine: “Timespine” (Shhpuma)
Big Bold Back Bone: “Clouds Clues” (Wide Ear)
Joana Sá: “Elogio da Desordem” (Shhpuma)
João Hasselberg: “Whatever It Is You’re Seeking, Won’t Come in the Form You’re Expecting” (Sintoma Records)
Nelson Cascais Decateto: “A Evolução da Forma” (Sintoma Records)
João Firmino: “A Casa da Árvore” (Sintoma Records)
Ernesto Rodrigues / Ricardo Guerreiro / Christian Wolfarth: “All About Mimi” (Creative Sources)
João Paulo Esteves da Silva & Orquestra Jazz de Matosinhos: “Bela Senão Sem” (TOAP/OJM)
SHH 007Eduardo Raon: “On the Drive for Impulsive Actions” (Shhpuma)
Eitr: “Trees Have Cancer Too” (Mazagran)
Joana Sá / Luís José Martins: “Almost a Song” (Shhpuma)
Le Syndicat & Sektor 304: “Geometry of Chromium Skin” (Rotorelief)
Luís Vicente / Jari Marjamaki: “Alternate Translations” (MiMi Records)

Melhores reedições
KEITH JARRETT: “CONCERTS: BREGENZ/MUNCHEN” (ECM)

Melhores concertos
EVAN PARKER (JAZZ AO CENTRO – ENCONTROS INTERNACIONAIS DE JAZZ DE COIMBRA)
Peter Evans Octet (Jazz em Agosto)
The Thing XXL (Jazz em Agosto)
John Zorn Electric Masada (Jazz em Agosto)
Anthony Braxton Falling River Music Quartet (Jazz em Agosto)
Rodrigo Amado Motion Trio & Peter Evans (Teatro Maria Matos)
Zanussi 5 (Jazz ao Centro – Encontros Internacionais de Jazz de Coimbra)
Hugo Antunes / Carlos “Zíngaro” / Miguel Mira (Espaço APAV & Cultura)
Elephant9 feat. Reine Fiske (Jazz em Agosto)

Melhores músicos ou grupos internacionais
Jason Moran, Okkyung Lee, John Zorn, Fire! Orchestra/Mats Gustafsson, Barry Guy New Orchestra, Burkhard Stangl, Wadada Leo Smith.

Melhores músicos ou grupos nacionais
Rodrigo Amado Motion Trio, Sei Miguel, Gabriel Ferrandini, Susana Santos Silva, Hugo Antunes, Clocks and Clouds, Rodrigo Pinheiro.

Acontecimento do ano
A polémica entrevista concedida por Rui Neves, programador do Jazz em Agosto, à Rua de Baixo, conduzida por Pedro Tavares, também colaborador da jazz.pt.

http://jazz.pt/artigos/2013/12/15/melhores-de-2013/