Tag Archives: Peter Van Huffel’s Gorilla Mask

Jazz.pt Best of 2014 list by Critics Poll

Os melhores de 2014

Mais um ano de crise, mais demonstrações de criatividade. Eis o balanço feito pela equipa da jazz.pt dos 12 meses que passaram, com os melhores entre os melhores e as listas individuais de quem escreve esta revista. Conclusão principal: no que à música nacional diz respeito, a colheita de 2014 foi de especial qualidade.

Melhores discos internacionais
CF306 CF302 CF301

Joe Morris Quartet: “Balance” (Clean Feed)
Vijay Iyer: “Mutations” (ECM)
Keith Jarrett / Charlie Haden: “Last Dance” (ECM)
Wadada Leo Smith: “The Great Lakes Suites” (TUM)
1982: “A/B” (Hubro)
Gorilla Mask: “Bite My Blues” (Clean Feed)
Fire! Orchestra: “Enter!” (Rune Grammofon)
The Bad Plus: “Inevitable Western” (Okeh)
Marc Ribot Trio: “Live at The Village Vanguard” (Pi)
Nigel Coombes / Steve Beresford: “White String’s Attached” (Emanem)
Steve Lehman Octet: “Mise en Abîme” (Pi)
Pharoah & The Underground: “Spiral Mercury” (Clean Feed)
Daunik Lazro / Benjamin Duboc / Didier Lasserre: “Sens Radiants” (Dark Tree Records)

Melhores discos nacionais
CF295 CF297 CF312CD

Rodrigo Amado Motion Trio & Peter Evans: “The Freedom Principle” (NoBusiness)
Sei Miguel: “Salvation Modes” (Clean Feed)
Luís Vicente / Rodrigo Pinheiro / Hernâni Faustino / Marco Franco: “Clocks & Clouds” (FMR)
Nate Wooley / Hugo Antunes / Chris Corsano: “Malus” (NoBusiness)
Rodrigo Amado: “Wire Quartet” (Clean Feed)
João Guimarães: “Zero” (TOAP)
João Lencastre’s Communion: “What is This All About?” (Auand)
João Hasselberg: “Truth Has to Be Given in Riddles” (Ed. de Autor)
Coreto: “Mergulho” (Carimbo Porta-Jazz)
Bande à Part: “Caixa-Prego” (Creative Sources)
Joel Silva: “Geyser” (Sintoma Records)
Vicente/Marjamaki: “Opacity” (JACC Records)
Luís Lopes Lisbon-Berlin Trio: “The Line” (Clean Feed)
Fail Better!: “Zero Sum” (JACC Records)

http://jazz.pt/artigos/2014/12/29/os-melhores-de-2014/

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Free Jazz review by Paul Acquaro

CF302Peter Van Huffel’s Gorilla Mask – Bite My Blues (CF 302)
****
The second track, ‘What?!’ is a heart-stopping, hard-hitting, kind of feels-good-even-though-it-kind-of-hurts type of thrash-jazz-rock, which is all fine and good if you have stuck around after the first track ‘Chained’ peeled some skin off your face. It’s Peter Van Huffel’s Gorilla Mask – a heavy jazz trio from Berlin and their latest album, Bite My Blues, recorded mostly live, has been burning holes through my earbuds for a while now. It seems that each time I press play, powerful blasts of energy jolt me anew.

While Van Huffel’s alto sax channels fiery from the gut playing most of the time, there is also a great deal of melodicism in his playing. Between the typically short and catchy heads, his fierce playing arcs with electricity. The track ‘Fast and Furious’ is a good example – a couple of minutes into the tune there is a pause and drop in volume that gives the track a chance to change gears from blistering to reflective only to quickly return to even more blistering.

Van Huffel’s band mates are Roland Fidezius on bass and Rudi Fischerlehner on drums. Their accompaniment is an indispensable element to the album – the energy and forcefulness is kept in check by a mindful and subtle restraint that helps focus the lightning strikes. They have an extended interlude on ‘Skunk’ that showcases their rapport and a good display of their power can be seen in the track ‘Z’. The track’s stuttering rhythmic drive propels Van Huffel’s slightly overblown lines further and further, while at the same time holding it all back just enough to make the release mid-way all the more satisfying.

My only complaint, if you can call it a complaint, is that this is a beast of an album, it’s a thrill to take in all at once, but it may leave you a bit fried! Highly recommended.

http://www.freejazzblog.org/2014/10/peter-van-huffels-gorilla-mask-bite-my.html

Time Out review by José Carlos Fernandes

CF302Peter Van Huffel’s Gorilla Mask – Bite My Blues (CF 302)
****
As coordenadas definidas no CD de estreia mantêm-se neste registo de dois concertos no Canadá, com o sax de Peter van Huffel, o baixo eléctrico (frequentemente distorcido) de Roland Fidezius e a bateria de Rudi Fischerlehner a triturar o que lhes aparece pela frente com a insolência com que King Kong esmagava os aeroplanos que lhe esvoaçavam à volta.
“Chained” é uma máquina malévola à desfilada que se desarticula a meio do trajecto e fica a descrever círculos obstinados, como um robot avariado, até que retoma a cavalgada rumo ao Juízio Final; o tema-título é um blues exaurido, que se arrasta por um pântano de pez e enxofre; “Z” começa em registo marcial e desemboca num ritmo brutal, mais afim de Rage Against The Machine do que de Count Basie.