Tag Archives: So Soft Yet

Improjazz review by Luc Bouquet

GONZALEZ1

GONZALEZ2

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The New York City Jazz Record review by Fred Bouchard

Palle Mikkelborg/Thomas Clausen – Even Closer (Arts Music)
Dennis González/João Paulo – So Soft Yet (CF 243)
Giovanni Falzone/Bruno Angelini – If Duo – Songs (Abeat)
Three duos between veteran trumpeters and pianists come in from Denmark, Portugal and Italy. Veterans of cold wars and glacial ice-bound ECM silences, pianist Thomas Clausen and trumpeter Palle Mikkelborg weave ice-fogged, watercolors of shining aqueous hues and drifting interplay on Even Closer. Their melodic offerings, distilled into eerie exhalations and carved in icy sculpture, are straight forwardly crystalline. Glinting, spooky muted Miles Davis (cryo preserved from 1957) looms gently over the minimalist “When Lights Are Low” and “My Funny Valentine”. Anything but fragmented, these miniatures evoke Arctic winters: the cryptic “Do Not Speak” fades with unearthly whale whimpers, the flamenco-tinged “To Read Is To Dream” blurs on a shimmery horizon and the outer-spacey title track echoes Gershwin’s strawberries, freeze-dried on a glinting floe.

So Soft Yet is cantabile poems in a classic Euro-folkstyle. Texas trumpeter Dennis González plays four-square with little vibrato and affectation; Lisbon pianist João Paulo sounds classically schooled with a down-home bent. They weave in special effects from track to track, fueled by motoric rhythm loops. González pre-programs thirds on “Broken Harp” and the spooky closer “Augúrio”. Paulo strokes electric plunking basslines on “El Destierro”, folksy accordion stutters on “Deathless” and “Taking Root”, electric loops on “Broken Harp”. A couple of tracks recall the Enrico Rava/Paolo Fresu Italianate school, with blue fado wisps; one is reminiscent of Jill McManus’ Hopi melodies played sotto voce by Tom Harrell. Yet the duo’s sliding from one easy vamp to the next, rather than building their case with strong melodies, results in a date of pleasant if aimless noodling.

Following the Danes’ chill intensity and the Transatlantic duo’s breezy atmospherics, the team of Sicilian trumpeter Giovanni Falzone and Marseilles-born pianist Bruno Angelini convey nine edgy pieces, credited to Falzone, in a mutually sparking, downright theatrical atmosphere. By dint of varying tempos, timbres and moods, this highly accomplished pair succeed in putting across a vividly dramatic, witty, consistently engaging set. “Marì” leads with splashes of edgy avant guardia, as chance-taking improvisations whirl and fragment. Falzone shows splendid tone and superior melodicism while Angelini dazzles with double-time runs and darting notions that push on into “Salto nel Vuoto” as Falzone opens up handsome flutter-tongue figures. They shuffle “Maschere”(stately) and “Terra” (legato arpeggios) with comically grumbling quasi-scat (“Pineyurinoli”) and a manic off-Broadway two-beat rag (“Wizard”). Other poignant effects are Falzone’s diminutive wah-wah mute expanding to a sweeping legato on “Guardando illago” with Angelini’s comically chirrupy piano, a fast bluesy ostinato named after “Jean Cocteau” and a closing ballad that might complement a genially offhand Charlie Chaplin vignette.

Musica Jazz review by Farnè

DENNIS GONZÁLEZ/JOÃO PAULO – So Soft Yet (CF 243)
In questo cd insolito e raccoman-dabile assistiamo all’incontro fra il pianista portoghese, dalla pronuncia delicatamente narrativa, e il trombettista texano, di sette anni più vecchio, dalla personale pronuncia e sempre rigoroso nella dimensione misticheggiante delle sue collaborazioni. Nell’ottobre 2010 questo duo tenne un concerto a Nova Gorica, all’interno del festi-val Jazz & Wine of Peace, destando interesse tra gli addetti ai lavori per la vena meditativa, imprevedi-bile, divagante della sua musica di difficile catalogazione. Le improvvisazioni di «So Soft Yet», registrato in studio mesi prima, confermano quell’impressione, configurando un’evoluzione natura-le e distesa del dialogo melodico-ritmico, senza enfasi e impennate scabrose. La conduzione dinamica può risultare prudente e un po’ statica, l’approccio emotivo distac-cato, di pensosa austerità, ma la motivazione che guida l’incontro, profonda ed estremamente onesta, porta a momenti di sincera poesia.

Gapplegate Music review by Grego Edwards

Dennis Gonzalez, Joao Paulo – So Soft Yet (CF 243)
Dennis Gonzalez over the years has shown himself not just as a creative and masterful trumpet player and important bandleader. He also composes some excellent music and, equally importantly, he plays and conceives most everything with a sort of thoughtful compositional deliberation. I’ve never heard a release of his that didn’t have its own reason for existence, a clear “thing” happening, a kind of focus.

With keyboardist Joao Paulo he has an ideal duo partner. Joao too has a deliberation in his spontaneity, a structural thinking inherent in his note and timbre choices.

So when they got together for a second volume of duets (see the July 6, 2009 article for a review of the first) these factors were again decisive in the resulting music, So Soft Yet (Clean Feed 243).

Joao Paulo gets a sound on the electric piano, plays a folk-free sort of accordion and uses the full scope of the conventional piano strings–plucked and sounded, dampened, regular key articulation, etc., to set the mood of each number. Of course it is also WHAT he plays that sets up the duet interaction. Simple pulsed riffs, freely unfolding tonal-centered flourishes, gospel-like rollers, lyrical balladic freedom, atmospheric ambiance, almost koto-like figures, rapid repeating and varying riffs that expand into free tonal interplay…I could go on.

And Dennis responds with a series of marvelous improvisations on C trumpet and Bb cornet, limber and eloquent, spontaneous and structured.

It’s another enormously engaging series of duets that are as pleasing to hear as they must have been a pleasure to play. Hear this one!
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