Tag Archives: Union

All About Jazz Italy review by Andrea Calió

CF 262Paradoxical Frog – Union (CF 262)
Album prettamente free-jazz, Union è la seconda e ultima (per ora) fatica del trio Paradoxical Frog, che annovera Ingrid Laubrock al sax, Kris Davis al piano e Tyshawn Sorey alla batteria. Data l’implicita natura del genere suonato, non è facile decifrare in pochi ascolti un opera composta in maggioranza da brani lunghi il cui svolgimento è tutt’altro che lineare (o – per contro – a volte lo è inaspettatamente) ma che presenta momenti di sicuro interesse musicale. L’intento artistico è esemplificato dalla title-track, una elaborata composizione fra le più riuscite dell’album, che da un incipit timido e sbilenco si sviluppa sino ad un luminoso climax, acceso da un ancia incendiaria che fa da contraltare alle dolcissime armonie tessute dal piano.

La band sembra dare il meglio di sè laddove esista una parvenza di struttura formale a supportare l’andamento del brano. Così è nella complessa e sincopata “Fear the Fairy Dust” o in “Figment,” con la sua circolarità ipnotica, o ancora in “Masterisk,” una sognante narrazione in cui Sorey si cimenta per breve tempo al trombone.

Altrove nel disco quelle tensioni generate dall’improvvisazione collettiva si stemperano in parentesi sonore che restano appese e si concludono senza emozionare. Forse è questo il limite di un approccio “democratico” all’improvvisazione free che, pur garantendo l’equilibrio fra le voci in campo frustra a volte gli spunti solistici e impedisce a brani pur ben eseguiti di apparire più che meri esercizi stilistici: il tempo dirà se Paradoxical Frog, audace nell’intraprendere un percorso artistico lontano dalle tendenze di mercato, saprà dissipare queste poche ombre che lo separano da un definitivo salto di qualità.
http://italia.allaboutjazz.com/php/article.php?id=9154

Jazz.pt review by João Moço

CF 262Paradoxical Frog  – Union (CF 262)
Em certos momentos, a pianista Kris Davis como que “cita” Thelonious Monk. Já Ingrid Laubrock traz, por vezes, à memória Anthony Braxton. Seja como for, a música presente no segundo álbum do trio Paradoxical Frog (agora com Tyshawn Sorey na bateria) não é, de todo, deficitária nas idiossincrasias dos seus intervenientes.
Cada um contribui com composições suas, o que torna ainda mais surpreendente a forma como estes músicos conseguem, em crescendo, tornar peças aparentemente fragmentadas em estruturas fortes de jazz.
http://www.jazz.pt/ponto-escuta/2013/04/06/paradoxical-frog-union-clean-feed/

Expresso and Cuíca Dodecafónica review by João Santos

CF 262Paradoxical Frog – Union (CF 262)
O espécime parecia um provocatório oximoro e, de facto, a audição, em 2010, do ensaio inaugural desta banda com filiação nominal na pseudis paradoxa – a rã que encolhe consideravelmente à medida que se vai tornando adulta, isto é, cujas crias são maiores do que os progenitores – confirmava uma inquietante tese empenhada em contrariar alguns dos princípios formais e idiomáticos associados à prática da música improvisada. Numa ocasional concatenação de vozes – solos, duos e trios em extensões tímbricas à primeira vista extemporâneas – que privilegiava uma coalescência mais textural do que melódica, a pianista Kris Davis, a saxofonista Ingrid Laubrock e o multi-instrumentista Tyshawn Sorey, predominantemente na bateria, teciam ondulantes e elípticos padrões, como uma anfíbia criatura enredando limos ao sabor da maré. E em composições discriminatórias, conseguiam também produzir a ilusão de que todos os seus constituintes, inclusivamente os contingentes a uma ação parcialmente indeterminada, eram essenciais. Deste “Union” pode, no mínimo, dizer-se que é ainda mais escrupuloso em seguir esse caminho que não só questiona a morfologia típica do trio de jazz como sugere algo que apenas este trio de jazz poderia criar. Uníssonos anunciativos, contrapontos pacientes, harmonias oblíquas, inesperadas dinâmicas, enfim, um conjunto de estratégias que geram estruturas enciclopédicas, informadas mais por um espírito de vanguarda do que propriamente por determinada escola, focando-se em raras tangentes – intervalos comuns em Thelonious Monk e Morton Feldman ou técnicas semelhantes em Anthony Braxton e Luciano Berio são o tipo de insensatas proposições que inspiram – de densidade variável que ocorrem num espaço de pura invenção e intriga, volátil e evanescente, preciso e espontâneo, pleno de possibilidades.
http://www.cuicadodecafonica.blogspot.pt/2013/03/paradoxical-frog-union-clean-feed-2012.html

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ImproJazz review by Luc Bouquet

Paradoxical

Gapplegate Music review by Grego Edwards

CF 262Paradoxical Frog – Union (CF 262)
Paradoxical Frog returns with a second album, Union (Clean Feed 262), that continues in a way where the first left off (see earlier review on these pages via the search box at the top of the page). It’s a trio of Kris Davis, piano, Ingrid Laubrock, tenor and soprano sax, and Tyshawn Sorey, drums and also melodica and trombone for this outing. It’s a very serious venture of high modernist composition/freedom, all three contributing their pieces and all three performing with collective and individual strength and originality.  Kris Davis plays carefully thought-out, harmonically expansive lines that Ingrid Laubrock counters with her own personal take on modernity. Tyshawn Sorey is the percussive dynamo that he is, for this trio a meticulous sound sculptor as well as a driving force.   The music has the New Music spaciousness and control with some of the energy and propulsiveness of New Thing. It comes off very well because these are a well-matched, gifted threesome.   Music of the era. . . music without a commercial bone in its virtual body. . . music that stakes critical ground in the new age we live in. . . music you should hear.
http://gapplegatemusicreview.blogspot.pt/2013/02/paradoxical-frog-union.html

Free Jazz best of 2012 list by every member of the team

End-of-year Lists Galore Allright, here they are then, the albums of the year 2012 as selected by the entire review team of the Free Jazz Collective. Each reviewer presented his (unfortunately not her) list of the ten best albums of the year. Based on the commonalities between those lists, we selected the top-10 that we all favoured.

CF256The Free Jazz Collective Top-10 albums of 2012
Eve Risser, Benjamin Duboc & Edward Perraud – En Corps
Angles 8 – By Way Of Deception
The Thing With Barry Guy – Metal!
Aram Shelton Quartet – Everything for Somebody
Henry Threadgill Zooid – Tomorrow Sunny / The Revelry, Spp
Nicole Mitchell – Arc Of O
Mary Halvorson Quintet – Bending Bridges
Martin Küchen – Hellstorm
Levity – Afternoon Delights
Stian Westerhus – The Matriarch & The Wrong Kind Of Flower

Every contributor to the blog also made his own list of preferred albums. 

Denti Alligator
Eve Risser, Benjamin Duboc & Edward Perraud – En Corps
Aaron Novik – Secret of Secrets
Neneh Cherry & The Thing –  The Cherry Thing
Bester Quartet –  Metamorphoses
Charles Gayle – Streets
Keith Rowe –  September
Mats Gustafsson – Bengt
David Krakauer –  Pruflas –  The Book of Angels Volume 18
King Tears Bat Trip –  King Tears Bat Trip
The Thing With Barry Guy –  Metal!

Paul Acquaro
CF 250Mary Halvorson Quintet – Bending Bridges
Elliot Sharp Trio – Aggregat
9 Volt – Open Circuit
Elephant9 with Reine Fiske – Atlantis
Joe Morris, William Parker, Gerald Cleaver – Altitude
Paul Dunmall & Tony Bianco – Thank You To John Coltrane
Eivind Opsvik – Overseas IV
Aych – As the Crow Flies
Scorch Trio with Mars Williams – Made in Norway
Tim Berne – Snake Oil

Tom Burris
CF 252Eve Risser, Benjamin Duboc & Edward Perraud – En Corps
Nicole Mitchell – Arc of O
Jooklo Duo & Bill Nace – Scratch
Mary Halvorson Quintet – Bending Bridges
Henry Threadgill Zooid – Tomorrow Sunny / The Revelry, Spp
Rob Mazurek Pulsar Quartet – Stellar Pulsations
Sam Rivers, Dave Holland & Barry Altschul – Reunion: Live in New York
Hairy Bones – Snakelust
Noah Bernstein – Six  Ballister – Mechanisms

Daniel Sorrelis
CF256Eve Risser, Benjamin Duboc & Edward Perraud – En Corps
Eli Keszler – Catching Net
Angles 8 – By Way of Deception: Live in Ljubjana
Angharad Davies, Tisha Mukarji, Dimitria Lazaridou-Chatzigoga – Outwash Pedro Sousa & Hernâni Faustino – Falaise
Martin Küchen – Hellstorm
Way Out Northwest – The White Spot
Mikołaj Trzaska, Ollie Brice, Mark Sanders – Riverloam Trio
John Tilbury – For Tomasz Sikorski
Henry Threadgill Zooid – Tomorrow Sunny/The Revelry, Spp.

Phil Coombs
CF256Angles 8 – By Way of Deception – Live in Ljubljana
Nicole Mitchell – Arc of O
Steve Lehman Trio – Dialect Fluorescent
Daniel Erdmann – How to Catch a Cloud
MMM Quartet – Live at Metz’ Arsenal
Emile Parisien – Chien Guepe
Aram Shelton Quartet – Everything for Somebody
Matthew Shipp Trio – Elastic Aspects
Max Johnson Quartet
Eve Risser, Benjamin Duboc & Edward Perraud – En Corps

Joe Higham
John Butcher and Toshimaru Nakamura – Dusted Machinery
Levity – Afternoon Delights
Aram Shelton Quartet – Everything for Somebody
Daniel Erdmann – How to Catch a Cloud
Marc Ducret – Tower Vol. 4
Eve Risser, Benjamin Duboc & Edward Perraud – En Corps
Outhouse – Straw, Sticks + Bricks
Arts and Sciences – New You
Kay Grant & Alex Ward – Fast Talk
Fred Lonberg-Holm’s Fast Citizens – Gather

Paolo Casertano
CF 262Stian Westerhus – The Matriarch And The Wrong Kind Of Flowers
Joe McPhee & Eli Keszler – Ithaca
Nate Wooley/Peter Evans – Instrumental Vol. 1
Colin Stetson & Mats Gustafsson – Stones
The Thing with Barry Guy – Metal
Steve Lehman Trio – Dialect Fluorescent
Martin Küchen – Hellstorm
Peter Kolovos – Black Colors
Paradoxical Frog – Union
John Tilbury – For Tomasz Sikorski

Ananth Krishnan
CF256Thomas Heberer – Cookbook
Angles 8 – By Way of Deception: Live in Ljubjana
Levity – Afternoon Delights
Trespass Trio – Bruder Beda
Maya Homburger and Barry Guy – Tales of Enchantment

Stef Gijssels
CF 249Eve Risser, Benjamin Duboc & Edward Perraud – En Corps
RED Trio + Nate Wooley – Stem
Mikołaj Trzaska Ircha Clarinet Quartet* ‎– Zikaron – Lefanay
Thomas Heberer’s Clarino – Cookbook (Red Toucan, 2012)
Mathias Küchen – Hellstorm
Wadada Leo Smith – Ten Freedom Summers
Skogen – Ist Gefallen In Den Schnee
Angles 8 – By Way of Deception: Live in Ljubjana
Pretty Monsters Dark Poetry

Martin Schray
CF 252Fire! – In the Mouth a Hand
Peter Brötzmann’s Chicago Tentet+1 – Walk, Sleep, Love
Evan Parker’s Electro Acoustic Ensemble –  Hasselt
Stian Westerhus –  The Matriarch and the Wrong Kind of Flowers
Hairy Bones – Snakelust
Martin Küchen – Hellstorm
Mats Gustafsson/Thurston Moore –  Play Some Fucking Stooges
Colin Stetson/Mats Gustafsson – Stones
Pao –  Pao
Arts and Science  New You
http://freejazz-stef.blogspot.se/2012/12/end-of-year-lists-galore.html?m=1

The New York City Jazz Record review by Wilbur MacKenzie

CF 262Paradoxical Frog – Union (CF 262)
Each member of Paradoxical Frog (pianist Kris Davis, saxist Ingrid Laubrock and drummer Tyshawn Sorey) is both player and composer and the band’s second album Union has the feel of a composers’ collective, each distinct voice working towards similar goals, albeit with different materials. After the spiky counterpoint of Sorey’s brief opener “An Intermittent Procession”, the trio’s esoteric, understated side comes out, as Laubrock’s “First Strike” could easily lead the listener to suspect they are in for a CD of bowed metal and barely-audible multiphonics. Davis’ “Fear the Fairy Dust”, however, brings plenty of exquisitely sculpted long-form composition and improvisational dynamics. Sorey’s “Figment 2012” unfolds gradually, calling to mind Bartók’s “Music for Strings Percussion and Celesta”. The band’s connection to improvisational and compositional traditions are intricately linked; the work of Jimmy Giuffre’s trio with Paul Bley and Steve Swallow comes to mind often, as does some of Anthony Braxton’s quartet activities in the ‘80s. The band’s sound, however, is very much defined by the individuals’ distinct voices. Davis’ second contributionis the title track, located just past the mid point. This is in some ways one of the more overtly jazz-oriented moments, though the way the melody works gradually from fragmentation towards cohesion is impressive (it’s nice to hear a composition intelligently work its way towards an idea rather than spending the duration working itself away from it). This piece finds its way to some very subtle sonic spaces and the band again affirms their distinct skill at fluctuating between chaos and order. On “Masterisk”, Laubrock continues to provide the more abstract compositional constructs while the final track, “Third Strike, You’re Out”, shows the band twisting around Laubrock’s unusual repetitive idea – a fitting final statement.