Tag Archives: tom rainey

Free Jazz review by Stefan Wood

CF 292Kris Davis Trio – Waiting for You to Grow (CF 292)
****
Kris Davis is a pianist hailing from Vancouver, currently residing in New York, and has been garnering praise for her creatively adventurous work in the NY music scene. She is influenced by Cecil Taylor, but stylistically covers a wide range, from jazz standards to minimalist works. Waiting for You to Grow is her latest effort on Clean Feed, the Portuguese based label that is at the forefront for contemporary improvised music. It is a trio session, with John Herbert on bass and Tom Rainey on drums.

“Whirly Swirly” opens the album with a military style drum solo from Rainey, before the others come in and counter with a seemingly disjointed and angular response, piano keys banging and bass plucking like industrial machines. It moves from this to a minimal soundscape where piano keys are struck almost in silence, bass strings bowing with a low shrill, before eventually building back up to a heavy and fervent percussive conclusion by all three artists. “Twice Escaped” is a little more straightforward, with Davis leading the way with intricate piano notes that grab the listener with its seemingly repetitive manner but is drawing a more complex soundscape. “Berio,” (a reference to Italian composer Luciano Berio) is a track that begins with a contemplative mood highlighted by Herbert’s bass playing, that moves toward a tension between piano and drums, that begins slow but builds speed, as Davis embarks a series of flutters and flurries that Rainey responds to with more active drum work. It is a high point on the album. “Hiccups” is another delightful track, piano notes darting in and out, descriptive of the title, while bass and drums provide ample support, propelling the music towards a very fluid and boppish course and conclusion. “Propaganda and Chiclets” begins with an agitated trio setting, as all three musicians create a light but low rolling thunderous moment, building in intensity but dissipating just before reaching pure noise and chaos, retreating back towards a more contemplative mood. “Waiting for You to Grow,” is a low key mood piece, Davis tastefully working with the almost silence with delicate keyword, bass and drums embellishing and adding more dimension. It is a beautiful track and ends the album on a very high note.

The album is excellent overall, again displaying Davis’ skills and original improvisations. Recommended.

http://www.freejazzblog.org/2015/02/kris-davis-waiting-for-you-to-grow.html

Free Jazz Best of 2014

Albums of the Year – 2014
So another year and another 1500 albums considered for review (and that’s just the ones we actually added to the list!). Taking a quick look back: this year Julian, Matthew, Chris, Ed, Antonio, Stefan, Josh, and Hugo joined the review team and we recently welcomed Eyal and Alfonso – you’ll be seeing more of them soon. 2014 also saw Martin Schray bringing the Free Jazz Blog to the air on SWR2, public radio in southern Germany. His next show is on the 9th of January (stay tuned for more info on that!). Finally, thanks to all of you, we’re seeing upwards of 75,000 page views a month and have a growing subscriber base … all we can (and should) say is thank you everyone and keep listening!

And now here it is … our hotly anticipated top ten list of albums of the year, tallied and calculated from the collective’s personal top 10 album choices (listed below):

The Free Jazz Collective Top-10 albums of 2014
CF303

1.Steve Lehman Octet – Mise en Abîme
2.Akira Sakata, Johan Berthling, Paal Nilssen-Love – Arashi
3.Jemeel Moondoc – The Zookeeper’s House
4.Angles 9 – Injuries (CF 303)
5.Audio One – An International Report
6.Farmers By Nature – Love and Ghosts
7.Ken Vandermark/Paal Nilssen-Love Duo – Lightning Over Water
8.Marc Ribot Trio – Live at the Village Vanguard
9.Wadada Leo Smith – The Great Lakes Suites
10.Jeremiah Cymerman – Pale Horse / Lotte Anker & Jakob Riis – Squid Police

Troy Dostert
CF 292

1.Steve Lehman Octet, Mise en Abîme
2.Marty Ehrlich Large Ensemble – Trumpet in the Morning
3.Franco D’Andrea Sextet – Monk and the Time Machine
4.Kris Davis Trio – Waiting for You to Grow (CF 292)
5.Ivo Perelman – The Other Edge
6.Ken Vandermark/Paal Nilssen-Love Duo – Lightning Over Water
7.Peter Van Huffel – Boom Crane
8.Angles 9 – Injuries
9.Max Johnson – Invisible Trio
10.Audio One – An International Report

Julian Eidenberger
CF306

1.Akira Sakata, Johan Berthling, Paal Nilssen-Love – Arashi
2.Kyle Bruckmann’s Wrack – … Awaits Silent Tristero’s Empire
3.Steve Lehman Octet – Mise en Abîme
4.Anthony Braxton, Tom Rainey, Tomas Fujiwara – Trio New Haven 2013
5.Audio One – An International Report
6.Many Arms with Colin Fisher – Suspended Definition
7.Lean Left – Live at Area Sismica
8.Joe Morris Quartet – Balance (CF 306)
9.Yoni Kretzmer, Pascal Niggenkemper, Weasel Walter – Protest Music
10.Wadada Leo Smith, Jamie Saft, Joe Morris, Balázs Pándi – Red Hill

Matthew Grigg
CF300LPSHH 010
1.Pharoah & the Underground – Spiral Mercury/Primative Jupiter (CF 300)
2.Audio One – An International Report/The Midwest School
3.Nicole Mitchell’s Black Earth Ensemble – Xenogenesis II: Intergalactic Beings
4.Nate Wooley, Hugo Antunes, Chris Corsano – Malus
5.Thurston Moore, Gabriel Ferrandini, Pedro Sousa – Live at ZDB (SHH 010)
6.Peter Evans Quintet – Destination:Void
7.Broetzmann, Adasiewicz, Edwards, Noble – Mental Shake
8.Roscoe Mitchell/Mike Reed – In Pursuit of Magic
9.Jason Ajemain, Tony Malaby, Rob Mazurek, Chad Taylor – A Way A Land of Life
10.Marc Ribot Trio – Live at the Village Vanguard

Chris Haines
CF306CF295  CF2941.Joe Morris Quartet – Balance (CF 306)
2.Sei Miguel – Salvation Modes (CF 295)
3.Eric Revis – In Memory of Things Yet Seen (CF 294)
4.Jakob Thorkild Trio – Art Sleaze
5.Tisziji Munoz – Star Worlds
6.Ken Aldcroft – Threads 10/09/11
7.Marc Ribot – Live at the Village Vanguard
8.Andymusic – Heavydance
9.Tomas Fujiwara Trio – Variable Bets
10.Tellef Ogrim & Anders Berg – November

Antonio Poscic
CF303

1.Wadada Leo Smith – The Great Lakes Suites
2.Steve Lehman Octet – Mise en Abîme
3.DKV Trio – Sound in Motion in Sound
4.Farmers By Nature – Love and Ghosts
5.Lotte Anker & Jakob Riis – Squid Police
6.Jeremiah Cymerman – Pale Horse
7.Angles 9 – Injuries (CF 303)
8.Tyshawn Sorey Trio – Alloy
9.Zion 80 – Adramelech: Book of Angels, Vol. 22
10.Jemeel Moondoc – The Zookeeper’s House

Dan Sorrells
CF314CF303
1.Daunik Lazro, Benjamin Duboc, Didier Lassere – Sens Radiants
2.Wacław Zimpel To Tu Orchestra – Nature Moves
3.Benjamin Duboc – St. James Infirmary
4.Zanussi Five – Live in Coimbra (CF 314)
5.Angles 9 – Injuries (CF 303)
6.Max Johnson, Ingrid Laubrock, Mat Maneri, Tomas Fujiwara – The Prisoner
7.Keir Neuringer – Ceremonies Out of the Air
8.Jeremiah Cymerman, Evan Parker, Nate Wooley – World of Objects
9.RED Trio & Mattias Ståhl – North and the Red Stream
10.Michael Francis Duch – Tomba Emmanuelle

Hugo Truyens
CF317CF305
1.De Beren Gieren & Susana Santos Silva – The Detour Fish (CF 317)
2.1000 + 1 – Butterfly Garden
3.East of the Sun – ICP Orchestra
4.Os Meus Shorts – Os Meus Shorts II
5.Sylvain Rifflet & Jon Irabagon – Perpetual Motion (A Celebration of Moondog)
6.Baloni – Belleke (CF 305)
7.Ideal Bread Beating The Teens – Songs Of Steve Lacy
8.Franco D’Andrea Sextet – Monk and the Time Machine
9.Marc Ribot Trio – Live at the Village Vanguard
10.Sylvie Courvoisier – Mark Feldman Quartet Birdies for Lulu

http://www.freejazzblog.org/2014/12/albums-of-year-2014.html

Tom Hull – On The Web Best of 2014 list by Tom Hull

The Best Jazz Albums of 2014

1.Steve Lehman Octet: Mise en Abîme (Pi)
2.Duduvudu: The Gospel According to Dudu Pukwana (Edgetone)
3.Paul Shapiro: Shofarot Verses (Tzadik)
4.Revolutionary Snake Ensemble: Live Snakes (Accurate)
5.Digital Primitives: Lipsomuch/Soul Searchin’ (Hopscotch, 2CD)

CF3136.Velkro: Don’t Wait for the Revolution (Clean Feed)
7.Ivo Perelman: The Other Edge (Leo)
8.Rent Romus’ Life’s Blood Ensemble: Cimmerian Crossroads (Edgetone)


CF 2929.Kris Davis Trio: Waiting for You to Grow (Clean Feed)
10.Craig Handy: Craig Handy & 2nd Line Smith (Okeh)
11.Allen Lowe: Mulatto Radio: Field Recordings: 1-4 (Constant Sorrow, 4CD)
12.Farmers by Nature: Love and Ghosts (AUM Fidelity, 2CD)
13.Waclaw Zimpel To Tu Orchestra: Nature Moves (Fortune)
14.Jonas Kullhammar: Gentlemen (2014, Moserobie)
15.Regina Carter: Southern Comfort (Sony Masterworks)

CF 29316.Jonas Kullhammar/Torbjörn Zetterberg/Espen Aalberg: Basement Sessions Vol. 2 (Clean Feed)
17.Rich Halley 4: The Wisdom of Rocks (Pine Eagle)
18.Ben Flocks: Battle Mountain (self-released)
19.Peter Van Huffel/Michael Bates/Jeff Davis: Boom Crane (Fresh Sound New Talent)
20.John Hollenbeck/Alban Darche/Sébastien Boisseau/Samuel Blaser: JASS (Yolk)
21.Barbara Morrison: I Love You, Yes I Do (Savant)
22.Mary Halvorson/Michael Formanek/Tomas Fujiwara: Thumbscrew (Cuneiform)
23.Jon Lundbom & Big Five Chord: Liverevil (Hot Cup, 2CD)
24.Bobby Avey: Authority Melts From Me (Whirlwind)
25.Wadada Leo Smith/Jamie Saft/Joe Morris/Balasz Pandi: Red Hill (Rare Noise)
26.Free Nelson Mandoomjazz: The Shape of Doomjazz to Come/Saxophone Giganticus (RareNoise)
27.Dave Douglas/Chet Doxas/Steve Swallow/Jim Doxas: Riverside (Greenleaf Music)
28.François Carrier/Michel Lambert/Alexey Lapin: The Russian Concerts (FMR)
29.Joachim Kühn/Alexey Kruglov: Duo Art: Moscow (ACT)
30.Tom Rainey: Obbligato (Intakt)
31.Catherine Russell: Bring It Back (Jazz Village)
32.Michael Blake: Tiddy Boom (2014, Sunnyside)
33.Anne Waldman: Jaguar Harmonics (Fast Speaking Music)
CF29434.Eric Revis: In Memory of Things Yet Seen (Clean Feed)
35.Jason Ajemian: Folklords (Delmark)
36.Sonny Simmons/Delphine Latil/Thomas Bellier: Beyond the Planets (Improvising Beings, 2CD)
37.The Mark Lomax Trio: Isis & Osiris (Inarhyme)

CF29738.Rodrigo Amado: Wire Quartet (Clean Feed)
39.The Core Trio: The Core Trio With Matthew Shipp (self-released)
40.Mike DiRubbo: Threshold (Ksanti)
41.Michael Griener/Rudi Mahall/Jan Roder/Christof Thewes: Squakk: Willisau & Berlin (Intakt)

CF30742.Adam Lane’s Full Throttle Orchestra: Live in Ljubljana (Clean Feed)
43.Sonny Rollins: Road Shows: Volume 3 (2001-12, Okeh)
44.Marlene VerPlanck: I Give Up, I’m in Love (Audiophile)
45.Ivo Perelman/Karl Berger: Reverie (Leo)
46.The Microscopic Septet: Manhattan Moonrise (Cuneiform)
47.Audio One: An International Report (Audiographic)
48.Billy Bang/William Parker: Medicine Buddha (2009 [2014], NoBusiness)
49.The Young Mothers: A Mothers Work Is Never Done (Tektite)
50.Kali Z. Fasteau: Piano Rapture (Flying Note)
51.Andy Biskin Ibid: Act Necessary (Strudelmedia)
52.William Hooker & Liudas Mockunas: Live at the Vilnius Jazz Festival (NoBusiness)

CF31453.Zanussi 5: Live in Coimbra (Clean Feed)
54.Marcin Wasilewski Trio w/Joakim Milder: Spark of Life (ECM)
55.Ezra Weiss Sextet: Before You Know It: Live in Portland (Roark)
56.Assif Tsahar/Gerry Hemingway/Mark Dresser: Code Re(a)d (Hopscotch)
57.Noah Preminger: Background Music (Fresh Sound New Talent)
58.Richard Galliano: Sentimentale (Resonance)
CF309CD59.Cortex: Live! (Clean Feed)
60.Greg Abate Quartet: Motif (Whaling City Sound)
61.Sam Newsome: The Straight Horn of Africa: A Path to Liberation [The Art of the Soprano, Vol. 2] (self-released)
62.Vijay Iyer: Mutations (ECM)
63.Dave Burrell/Steve Swell: Turning Point NoBusiness)
64.Wadada Leo Smith: The Great Lakes Suites (TUM, 2CD)
65.Lajos Dudas Quartet: Live at Salzburger Jazzherbst (Jazz Sick -13)
CF312CD66.Luis Lopes Lisbon Berlin Trio: The Line (Clean Feed)
67.Moskus: Mestertyven (Hubro)
68.James Brandon Lewis: Divine Travels (Okeh)

http://tomhull.com/ocston/nm/notes/eoyjazz-14.php

Wondering Sound Best of 2014 list by Staff Contributor

To outsiders, jazz has the tendency to seem like an ossified genre — “serious” records for “serious” people, with anything significant having happened decades ago. If you needed any more proof that this thinking is absolutely ridiculous, this list is it. Here are 25 records from artists that are bold, brash, exciting and forward-thinking, unafraid of flirting with other genres, but reconfiguring them into something new and daring. The 25 Best Jazz Albums of 2014 represent the vanguard of contemporary music, pushing things forward one note at a time.

25. Rafael Karlen – The Sweetness of Things Half-Remembered (Pinnacles Music / CD Baby)
CF30324. Angles 9 – Injuries (Clean Feed)
23. The Cookers – Time and Time Again (Motema Music,Llc / Entertainment One Distribution)
22. Tyshawn Sorey Trio – Alloy (Pi Recordings)
21. Jane Ira Bloom – Sixteen Sunsets (Pure Audio)
20. Get the Blessing – Lope and Antilope (Naim Jazz / The Orchard)
19. Sam Newsome – The Straight Horn of Africa: A Path of Liberation (CD Baby)
18. Omer Avital – New Song (Motema Music,Llc / Entertainment One Distribution)
17. Steve Wilson/Lewis Nash Duo – Duologue (MCG Jazz)
16. The Bad Plus – The Rite of Spring (Masterworks)
15. John Ellis & Andy Bragen – MOBRO (MRI / The Orchard)
14. The Westerlies – Wish the Children Would Come On Home (Songlines Recordings / The Orchard)
13. Darius Jones and Matthew Shipp, Cosmic Lieder – The Darkseid Recital (AUM Fidelity / Virtual)
12. Billy Hart Quartet – One Is the Other (ECM)
11. Miguel Zenon – Identities Are Changeable (Miel Music / CD Baby)
10. Farmers By Nature – Love and Ghosts (AUM Fidelity / Virtual)
CF 2929. Kris Davis Trio – Waiting for You to Grow (Clean Feed)
8. Orrin Evans’ Captain Black Big Band – Mother’s Touch (Posi-Tone Records / The Orchard)
7. Melissa Aldana & Crash Trio – Melissa Aldana & Crash Trio (Concord)
6. Oliver Lake Organ Quartet – What I Heard (Passin’ Thru)
5. Mitchell/Taborn/Baku – Conversations II (Wide Hive Records)
CF3014. Pharoah & the Underground – Spiral Mercury (Clean Feed)
3. Trio 3 With Vijay Iyer – Wiring (Intakt)
2. Sean Jones – Im•pro•vise (Never Before Seen) (Mack Avenue / The Orchard)
1. Steve Lehman Octet – Mise en Abime (Pi Recordings)

http://www.wonderingsound.com/list/best-jazz-albums-of-2014/

Jazz.pt review by Nuno Catarino

CF 292Kris Davis Trio – Waiting for You to Grow (CF 292)
****
Kris Davis é uma pianista discreta que domina todos os recursos e ferramentas, utilizando-os inteligentemente, com moderação e sem espalhafato. Vem desenvolvendo um percurso curioso, trabalhando diferentes formatos em frentes distintas. Além dos seus discos a solo, há que destacar o recente “Capricorn Climber” (gravado em quinteto) e esse outro trio que é o grupo Paradoxical Frog, com Ingrid Laubrock (saxofone) e Tyshawn Sorey (bateria).

Neste novo álbum, Kris Davis regressa ao trio clássico de piano, na companhia de John Hébert no contrabaixo e Tom Rainey na bateria. Este é já o segundo disco do projecto, depois de ter editado o primeiro, “Good Citizen”, pela “label” espanhola Fresh Sound em 2010. Dois dos mais requisitados “sidemen” da cena americana, Hébert e Rainey acrescentam aqui a sua segurança e a sua criatividade. Ao piano, Davis combina a matriz jazz com referências clássicas, mantendo a porta aberta à improvisação.

A composição e a gravação desta obra decorreram no período em que se encontrava grávida do seu primeiro filho, pelo que esta música representa um lado mais pessoal da sua actividade (factor esse que está desde logo expresso no título do álbum, “Waiting for You to Grow”). Apesar dessa premissa, a música não se afasta muito dos elementos que caracterizam habitualmente a música de Davis.

O CD arranca numa toada pontilhístico-monkiana, depois abranda o ritmo e termina num interessante “midtempo” com diversos ambientes, designado por “Whirly Swirly”. O tema-título “Waiting for You to Grow” é aquele em que a pianista consegue expressar sentimento de forma mais clara: assente numa pensada lentidão, primeiro dando autonomia a Hébert e depois assumindo a intensidade melódica, a melodia é sublinhada pelo arco do contrabaixo, por cima das escovas de Rainey.

Com “Berio”, terceiro tema (atenção ao apontamento referencial do título), a música arranca de forma lenta, para depois evoluir para um terreno “cerebral”. Este termo é, aliás, frequentemente associado à pianista, e não sem razão. A sua música é quase sempre articulada de forma complexa, evitando caminhos fáceis ou directos. Este disco não é excepção.

http://jazz.pt/ponto-escuta/2014/05/12/kris-davis-trio-waiting-you-grow-clean-feed/

Expresso review by João Santos

CF 292Kris Davis Trio – Waiting for You to Grow (CF 292)
K
ris Davis – Massive Threads (Thirsty Ear)
****
Regressa aos discos a solo Kris Davis – o anterior nesse registo, “Aeriol Piano”, era de 2011 – e, por uma vez, o que se nota é a mecanização de certos recursos. O que só confirma que nem mesmo os mais singulares pianistas são desprovidos de maneirismos. Talvez daí resulte uma afinidade com Monk, neste “Massive Threads” revisitado através de ‘Evidence’, embora a canadiana o agarre como uma decoradora desinteressada em combinar materiais ou sequer a adaptá-los aos espaços a que se destinam. O ritual minimalista de ‘Ten Exorcists’, o romântico fraseado de ‘Desolation and Despair’ ou os espasmos rapsódicos de ‘Intermission Music’ comungam do evangelho pós-modernista mas o mais excitante que possuem é o humor que nos seus títulos se subentende. Há nisto uma qualidade preambular que reduz o escopo da operação. Derradeira peça: ‘Slow Growing’.

Aproveitando a deixa, já a reincidência no trabalho com o trio de “Good Citizen” (Fresh Sound New Talent, 2010) se revela de maior interesse histórico, conquanto ampare uma forma interpessoal de afirmação de personalidade e se arrisque a figurar no blog “Shut The Fuck Up, Parents” (quem comprar o CD há de perceber). Mas é sedutor o seu triângulo de estilos: John Hébert continuamente relaxado, Tom Rainey com uma ousadia absolutamente idiossincrática, Davis de uma teatralidade quase arquitetural. As fórmulas conduzem ao fracasso – ao sucesso, também.

Time Out Lisboa review by José Carlos Fernandes

CF 292Kris Davis Trio – Waiting For You To Grow (CF 292)
****
Quem faça questão de sentir chão firme sob os pés levará algum tempo a habituar-se a uma música ritmicamente tão instável como uma cama de água. Claro que só músicos do mais alto gabarito estão aptos a mover-se sobre substratos tão vacilantes e a pianista Kris Davis encontrou-os em John Hébert (contrabaixo) e Tom Rainey (bateria), que assinam aqui o segundo disco do trio. Entra-se nele por “Whirly Swirly”, feita de piano esquelético e ácido (Monk paira por aqui) e contrabaixo e bateria encabritados, mas que, para o fim, engrena num ritmo obsessivo, cada vez mais denso e brutal. Melhor ainda é “Hiccups” (soluços), cujo início entrecortado faz justiça ao título e se converte, pouco a pouco, numa formidável engrenagem rítmica, assimétrica e angulosa.

 

Touching Extremes review by Massimo Ricci

CF 279Mark Dresser Quintet – Nourishments (CF 279)
I have spent several consecutive days with Nourishments. Listened to it in every possible situation. Appreciated each nuance of its palette. But remained – for a long time – at a loss for words when facing the task of writing about it. Perhaps because this is a classic case of music whose eloquent communicativeness speaks for itself, who knows. These 73 minutes have become a rewarding acoustic proximity in a peculiar phase of my life, transmitting a message where everything one needs to discover is right there. No extreme searching required.

In the liners, Dresser quotes the influence of Charlie Mingus on the work’s conception before proceeding to explicate very accurately the collations and superimpositions of themes, meters and contrapuntal constituents. The composer’s analytic explanations are just substantiating snippets of what the ears already perceive as perfectly shaped phenomena. To begin with, rarely you will find yourselves in the condition of “remembering” a melody, for the multitude of fragments and sketches is on such a level of intelligible intertwining that a coherent wholeness gets easily acquired as a “general concept” while the alert mind scrutinizes the courses of the single instruments at the same time. This sensation of operational simultaneousness is the truly sweet trait here, dynamism and reflection running collaterally yet marvelously coalescing. Personal favorites in that regard are the title track and the superbly executed “Canales Rose” and “Rasaman”.

Special mention must be made of Maroney’s hyper-piano, its metallic slippery providing various incidents with a refreshing awareness of proportionate instability, whereas Mahanthappa’s ridiculous reed chops define recurrent flights of fancy across paths of transparent logicality. All the participants deserve applause for their ability in merging humanness and clarity, idealism and mathematical discipline. And, of course, Dresser’s control of the affecting howls generated by his bowed partials is nothing short of staggering. The enlightened leader of a collective of investigators gifted with bright intuitions and sense of belonging to a project that wrestles the commonplaces of jazz in spite of an indiscussable technical prominence.
http://touchingextremes.wordpress.com/2013/12/05/4204/

Downbeat review by Shaun Brady

CF 279Mark Dresser – Nourishments (CF 279)
4.5 stars
Over the course of a thirty-year career, bassist Mark Dresser has forged a deeply individual language that melds extended techniques and a virtuosic but impassioned musicality. What’s most remarkable about #Nourishments#, his first quintet outing since 1994’s #Force Green#, is how this group consisting of such strong voices all combine to speak that language so fluently and with such compelling depth.

That’s not to say that any of those artists forsake their own recognizable identities – there’s no mistaking Rudresh Mahanthappa’s tart, knotty alto, for instance, or Tom Rainey’s swaying, tightrope-in-the-wind rhythms. But on this set of seven compositions Dresser has managed to create environments in which those identities maneuver together through coloristic and polyrhythmic pathways in an intriguingly cohesive fashion.

Much of that can be credited to the ways in which these pieces subdivide the ensemble. Mahanthappa and trombonist Michael Dessen deftly traverse the shifting tempos of opener “Not Withstanding,” while the rhythm section continually reconfigures the ground beneath them. “Telemojo” shimmers with the mixture of Dresser’s arco with the unique, metallic tones of Denman Maroney’s “hyperpiano,” a prepared piano that provides the album with some of its most striking and uncategorizable textures.

The 14-minute stunner “Canales Rose” is based on a tone row inspired by chef Paul Canales, and punctuates quintet passages with solo and duo interactions, beginning with the pairing of the leader’s stealthy resonance with Dessen’s breathy brass. The length allows for a gradual, careful unfolding, which culminates in a profoundly moving bass solo during which listeners may find themselves holding their breath.

“Para Waltz” opens with Maroney’s disorienting modulations, while “Rasaman” hints toward Indian rhythms. And the percussive volleys of the title track spotlight the drumming of Michael Sarin, who alternates with Rainey throughout the disc and brings a more understated and buoyant approach in contrast with Rainey’s more assertive kineticism. In either configuration the quintet is a fluid and eccentric unit, the potential of which the prolific and restless Dresser will hopefully continue to explore.

Free Jazz review by Paul Acquaro

CF 279Mark Dresser – Nourishments (CF 279)
****
In a very recent interview with Avant Music News, bandleader and composer Mark Dresser explains that the origins of his new album Nourishments began with a musical / culinary exchange between Chef Paul Canales and one of Dresser’s groups, Trio M, that included concerts with Canales cooking for the audience for between-set-dining.

Suffice to say, Nourishments kicks off in a most fulfilling manner. Melody, rhythm, and harmony are all a part of the spread, and with Denman Maroney at piano, Michael Dessen on trombone, Michael Sarin on drums, Rudresh Mahanthappa on sax, and Tom Rainey on drums, at the table, you know the conversation is going to be good!

The opening track, ‘Not Withstanding’, is an uptempo modern jazz composition that feels at once comfortable but never predictable. There is plenty of edgy playing to grab and challenge the listener, but at the same time, the solos, melodies, rhythms play off of accessible patterns. A hint of prepared piano adds some spice as well. Track three ‘Para Waltz’ begins with the muted piano and Rainey providing atmospheric percussion, and when Dresser comes in, a delicate ballad starts evolving. Enticing harmonies carry a theme that moves unhurriedly along, with solo voices rising and receding in the flow. Dresser’s bass solo is incredibly tasty, employing a certain extended technique to give his sound a metallic edge, adding the sour to the sweet. However, it’s the title track — the main course, if I may — that is the most delectable. Evoking a Latin feel, the catchy rhythmic qualities play against the melodies inviting, and when the two horns play swirling melodic solos at the same time, it stretches the ears far and wide.

Nourishments is an excellent acoustic jazz album that skirts modern and free jazz, hitting all the right notes.
http://www.freejazzblog.org/